Tuesday, February 16, 2010

"Men Have Biological Clocks, Too"

The sixteenth installment in the "28 in Tweny-Eight" blog series by Robert Ian Winstin.

12 comments:

  1. Greetings from Suffolk! Usually wait until work is over before logging on. Couldn't wait today, though!

    A bit dark, but a lovely piece. Appreciate the story as well.

    Keep keep!

    Clive
    Suffolk

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  2. Very intriguing! The darkness is beautiful and sad at the same time.

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  3. Actually, I think it is beautiful. Very moving piece.

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  4. Title? LOL - well, I always thought so - just ask my husband!

    Love the piece.

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  5. Good Morning! Love the 'dark' piece. Not so dark it seems ... Love the series - especially the Valentine's Day piece.

    Beautiful!

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  6. Terrific! I can hear the ticking, but I'm not too sure about the 'pull' of three? Of course, I'm not that versed in music, so maybe I am missing it completely.

    I'll keep at it.

    Carl

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  7. Hello! I downloaded the score this morning and spent a good hour playing through this piece. What a workout! This is very tought to play - you make it seem effortless!

    Loved the first blues piece - can't wait for the second.

    Timothy

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  8. Cool! Not dark at all.

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  9. Well - regardless of your own negativity - this was delightful. It was one of those that I went "Awww it's over already? I more..."

    Thank you again for doing this - it is a joy to listen to a brand new piece of music every day.

    Cathy B

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  10. Thanks for sharing your challenging project. Your work is inspiring. These pieces are brilliant and fun! Yes, FUN! But not only that...

    On "sad vs. happy": When reading your story, I was once again struck by the inadequacy of words to describe music. However well-written, words cannot express the subtlety of emotion and character that music does so naturally. I think your music is neither sad nor happy. It is complex, both technically and emotionally.

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  11. I think this might be my favorite piece so far, am enjoying coming back to it again and again. I am puzzled by one characteristic of the piano recordings - do you use the sustain pedal at all? Or the other pedal(s)? Maybe I'm just used to the way my mother's steinway pedal creaked, but it does make me curious...

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  12. Hi Mer,

    Thanks for he lovely comments. I have to laugh - if you knew how many takes it actually takes for a piano thumper like me to get a 'clean' take with no pedal noises, feet shuffles, stomach growls or bench squeaks you would understand!

    Also - something I learned from our piano tech - graphite on the pedals. Not only the sustain pedal itself, but also anywhere the mechanism moves inside the piano. This will help it move silently - or as quietly as possible.

    I tend to use very little pedal in recording - both the sustain and una-corda (soft pedal). The hall we have is very 'verby and a lot of sustain from the pedal just tends to over-do it.

    We use two pianos here - the main one is a Steinway "M" frm the early 60's.

    Thanks again!

    Robert

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